The design treats the site like the paperwork of a film. The showreel opens from a slit into a letterbox with a running timecode, the services are a call sheet, the process is an edit schedule and the footer is an end slate. Motion cuts rather than drifts: pointing at a title rolls its film, and the colour section splits the frame between log and grade.
To give a small studio a website that feels like it came out of its own cutting room. The project explores how the language of production — timecodes, slates, call sheets, letterboxes — can carry an editorial site, so the films do the persuading.
